BAILY
Recording "Revenge"
February 04, 2005
With each Star Wars film, composer John Williams has selected a particular composition to stand apart. It's removed from the context of the film, and generally has its start or end reworked so that it becomes a standalone musical piece. In the past, these have become singles on the soundtrack, concert suites or music videos. Examples include "Main Title," "Darth Vader's Theme (Imperial March)," "The Forest Battle," "Duel of the Fates," and "Across the Stars."
For Episode III, a dramatic cue from the sixth reel gets that treatment. Called "Revenge of the Sith" -- or less colorfully, 6M9 -- it appears in the film during the thick of the duel between Obi-Wan and Anakin Skywalker. The first half of the second day of scoring sessions consists of capturing this piece for both inclusion in the film, and as a modified version for the soundtrack release.
Hope Scramba comes soon with the rest......
February 04, 2005
With each Star Wars film, composer John Williams has selected a particular composition to stand apart. It's removed from the context of the film, and generally has its start or end reworked so that it becomes a standalone musical piece. In the past, these have become singles on the soundtrack, concert suites or music videos. Examples include "Main Title," "Darth Vader's Theme (Imperial March)," "The Forest Battle," "Duel of the Fates," and "Across the Stars."
For Episode III, a dramatic cue from the sixth reel gets that treatment. Called "Revenge of the Sith" -- or less colorfully, 6M9 -- it appears in the film during the thick of the duel between Obi-Wan and Anakin Skywalker. The first half of the second day of scoring sessions consists of capturing this piece for both inclusion in the film, and as a modified version for the soundtrack release.
Hope Scramba comes soon with the rest......