I used to like Liefield until I got beyond 13, shame he never did.
X-men #91 drawn by Andrew Robinson and Dan Panosian is probably the worst art I have ever seen in a comic
Coming from him, all but the last one are pretty good. I have seen FAR worse scans that he has drawn to use against him where his proportions are so far from right that it makes me cringe. Those (except the last one) are decent, again coming from him.
For me the most important thing in a comic is the art the then 2nd it's the story. This is why I can't stand crossovers most of the time because the art is inconsistent by a big margin.
Thats how I feel. Which is why I could never get into DC comics before. Their artists were terrible. A lot of their recent artists are much, much better. Taken a lot of them perfected their art at Marvel.
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"Oderint Dum Metuant: Let them hate, so long as they fear"
i think it's universally accepted that liefeld is a crap artist well past his prime [which wasn't even that great to begin with, but at least was closer to the tempo of the time.] we needn't mention him further, lest this become another liefeld sucks thread.
personally, i don't like yu's work in new avengers. i thought secret invasion looked quite good, but some of the crap in the last arc in new avengers just made me want to poop.
stuart immonen's art is some of my favorite. never saw it in superman, and didn't much like it in thor [though that might've been because of the inking and coloring.] but his style is definitely the kind of not-drastically-realistic stuff i appreciate.
And to make matters even worst....They will add a super star artist like Turner on the cover just to get sales, but the interior art sucks.....This really ticks me off.
It used to be Erik Larsen....but then he was dethroned by Liefeld.
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"I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when my fear is gone I will turn and face fears path, and only I will remain."
-Paul Atreides