Originally posted by dadudemon
Indeed, I know who all of those groups are. (Notice, I dont call them "bands"? 😄 )I am also a BIG fan of hardcore. I also like The Prodigy and Photek.
I'm a huge prodigy fan, in some way or another, all the classic standards come back to Prodigy 🙂
thats sick you like hardcore. Is it more the oldschool break sound then? Or like, do you know Radium/the frenchcore scene?
Originally posted by dadudemon
I also like Libido Airbag (awesome music..it is great.), Shitmat, Aphex Twin (big time Richard D. James fan.), AK1200, and several others that I like a BUNCH but I can't remember right now. My favorited list from Pandora has them all.
I'm not as big into Aphex Twin, but I love Shitmat. Haven't heard any Libido Airbag I don't think though... Have you heard the new Shitmat release on Planet Mu? 'one foot in the rave', it is all mostly the oldschool break sound, like early prodigy stuff, its pretty fantastic.
Have you heard any Venetian Snares? His stuff is so amazing. One of the few electronic artists, at least that I know of, to do stuff in like 7/4 or 5/4 or other non-4/4 time signatures.
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Originally posted by dadudemon
Edit 0 By groups, I don't mean "Deathchant". I am familiar with bloodyfist records. I think another poster referred me to them from KMC, before.
Bloody Fist is one of my favorites. Deathchant is another label, so good. Their releases 1-30ish are the best music in the world, imho, lol. Hellfish and Producer, if you know their stuff.
oh hell, spam-tastic:
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Originally posted by Digi
All labels are mostly subjective. Doesn't mean we don't need them for various reasons. But arguments about labels being ridiculous, sure. That doesn't mean usage of them is, though. That would be covered in the "don't stereotype" portion of my previous brilliant post.313
fair enough
but classifications like speedcore/terrorcore/noizecore/darkcore are rarely as useful as "hard", "aggressive", "down tempo" or other such, non-genre specific, terms. In the styles of electronic music I like, knowing the geographic location of the producer says a lot more about how it will sound generally than does its "genre", though the two overlap a lot.
The type of genres people come up with, and the things they try to identify in the music to say why they belong to one genre scene or another is a total social construction, and I think the way people genre music has way more to do with that than any real empirical design of the song, and the same old "us" - "them" mentalities.