Leonardo da Vinci and Michelangelo were both students of an ancient mystical order who for 2,000 years have been the Guardians of ancient secrets.
Until the End Times began recently, ancient secrets had only been hidden in symbols within ancient hieroglyphs, and works of art created by people like Leonardo and Michelangelo, who were students of the Guardians.
The Da Vinci Code has awakened interest in finding the secret information that was hidden in works of art produced by people like Leonardo and Michelangelo.
Western science is degrading Michelangelo’s work in the Sistine Chapel. Scientists only partially understand one of the hidden secrets of Michelangelo. Science has just discovered what they think is the great secret of the Sistine Chapel. Western science now informs us that Michelangelo painted Adam worshipping his own brain. This, of course, completely contradicts religion’s interpretation of Michelangelo’s ceiling painting which they dogmatically state represents God breathing life into Adam.
Science has correctly pointed out that the cloud of angels in the Sistine Chapel, with God in the center, is the outline of the human brain. However, Michelangelo is not worshipping his brain. Michelangelo was secretly telling people the way to contact God, during an extremely repressive time when millions of innocent men, women and children were being murdered and tortured in the Inquisitions by Christians, during a 400 year effort to destroy all information about Jesus’ marriage, burn all copies of ancient esoteric truth like the Gospel of Thomas and kill every descendant from the marriage of Jesus and Mary Magdalene.
Michelangelo secretly shows that Adam, and all humanity, can consciously connect with the energies of God, (depicted by Adam reaching toward God), through the activation of their pineal gland, (called the Soul in the west and the 3rd Eye in the east) in the center of the brain, (depicted by God in the center of the angels in the shape of the human brain.)
In the middle of the 15th century, Andrea del Verrochio wrote the Guardians about a special apprentice of his, Leonardo da Vinci. Leonardo, while not an acknowledged descendant of Jesus and Mary Magdalene, was a unique individual having Davidic Lineage DNA in his body. In this way, Leonardo came to the attention of René d’ Anjou and the Guardians.
René’s teaching of Leonardo came to fruition during a 17-year period in Milan, Italy. René taught Leonardo many truths during their time together. Among the spiritual techniques Leonardo learned from René were certain advanced techniques which enable one to access the entire span of human existence from the historical information recorded in the “History Gene” located in the DNA of one’s physical body.
In this manner, one can use ancestral memories recorded in one’s own DNA to access information about past advanced civilizations which had flying machines, and much more. (Flying machines and atomic warfare are described in depth in ancient Hindu scriptures.) Leonardo began accessing his “History Gene” in an attempt to re-create flying machines and other such technological devices. Unfortunately, or fortunately, one must be in complete isolation, in order to complete DNA ancestral memory retrievals. In order to fully access information on any subject, topic or time period one needs uninterrupted concentration for extremely long periods of time.
And so it was after learning how to access ancient information using the DNA ancestral memory techniques, the process of finding time to be alone became difficult for Leonardo. As a “Teacher of Others”, students now came to learn from him, and suddenly Leonardo’s studio became so busy, that he was unable to complete many projects.
While the western media is pretending all the speculation about Mary Magdalene being married to Jesus came through the recent “Da Vinci Code” and “Holy Blood, Holy Grail” books, Italian art historians have known for ages that it was Mary Magdalene who was painted next to Jesus in Leonardo da Vinci’s “Last Supper”. During his 17-year period in Milan, Leonardo only completed 6 projects. However, one of those projects which he completed, was the “Last Supper” painting in which he portrays the marriage of Jesus and Mary in symbolic form, by painting Mary Magdalene beside Jesus.
I saw a documentary on "The Da Vinci Code". They proved that the Priory of Sion (the organization in the book) was actually formed in France in 1956; the author of the book has said himself (in about 5 different interviews) that the book is entirely false.
The documentary also argued that it isn't Mary Magdalene next to Jesus, it is the apostle John, who was always depicted as somewhat feminine in paintings.
Re: Re: Da Vinci & Michelangelo’s Hidden Secrets 1
The Priory of Sion according to them is NOT what is portrayed in the book (I saw the documentary too).........also heard that John was portrayed as feminine also, but still sooooooooooo what if Jesus had a relationship with a women and kids.........How would that destroy the church.
Gender: Male Location: Southern Oregon,
Looking at you.
There are two independent accounts about the death of Jesus by historians from the time period. What is strange is that they said nothing more then he was hung on the cross. If Jesus had done the things that Christians claim, wouldn't these historians have written more about him? So, Jesus did live, but he saw just a man.