I have to play music taken from Brother Bear in class.
As the Chairman of the Jedi Council and Commander of the Secondary IV and V as well as the P.E.I. (all levels) within the Bands' High Command (an organization who controls every music class within my school), I must imply that the teachers take colossal risks by ignoring every strategy the High Command suggests while preparing for one big contest in Sherbrooke, Quebec, held in May.
The Commander-In-Chief of the Bands' High Command, a Jazz-Pop student (every member of the Bands' High Command is a student), might as well try to participate inside the concerts I'm scheduled to take part in. Normally I would perform in only one of them, but due to an extraordinary situation, I must partake in two of them (both with students within my command branch; the first implying solely secondary IV students, the second one, due to a shortage of secondary V students, the High Command asked for volunteers within the secondary IV students). Just hope my secondary V aide-de-camp will not try to sabotage the efforts of the Bands' High Command.
Finally, there are three school orchestras off the Jazz-Pop: the senior (Secondaries IV and V), the junior (Secondary III) and the novice (Secondary II). Because I'm the only one in the chain of command that have authority over regular and P.E.I. students of secondary IV and V, I'm de facto the commander of the Senior.
But I'll come back to the songs in order of preference (all from Brother Bear):
No Way Out
Look Through My Eyes
On My Way
I request some advice about how to give back the will to fight to my fellow Force-users. I always wanted to do a joint mind fight/perform drill, just that the bad attitude of my "troops" don't allow for it. My "troops" don't want to fight at the same time they'd be performing; I think, on the contrary, that drilling in doing mind fighting and playing music at once is an essential to win such a large contest.
There are two ways to win such a competition: either the band must have little to no mind fighting capability, either the band must have enough mind fighting power to stall an army of hundreds, if not thousands of mind fighters while still on stage during a performance. Last year, I wanted the band in which I am to be able to battle tens of thousands of psychic fighters at once while we're playing. And there's that shield unit that screwed it up by putting her shields down in the middle of a song.
As the lead (and perhaps only) strategist of the school's senior concert band, I chose the way of the battle-hungry general: I want the band to be ready to repel armies of mind saboteurs by itself without relying on the other students that are not part of the band. But the other people in the band wanted me to drop my OWN battle readiness to keep them at bay. According to them, if there is no one in the band that is battle-ready, no one will sabotage us. However, the only way to eliminate that kind of risk that way would be to expel all the Force-users from the band. Other ways of hiding our Force-powers to the eyes of mind saboteurs would be a waste of resources.
Some bands might have won without having any kind of battle readiness, but for having performed in competition in the middle of a mind battlefield, I know that extensive defense is the best way to win your way out of a band contest. We have mind "weapons" like one quantum missile launcher, two 350mm triple turbolasers, four burst-fire photon torpedo launchers and other mind artillery.
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Nov 10th, 2005 06:59 PM
