they are owned by the big companys and i suppose some people see that as "selling out" or "siding with the 'man'" but in the end, those corporations have the money and resorces to help bands record and not all metal bands (alternative more to the point) arn't so limited by the company, they make all their money off of fabricated crap like the Spice Girls, Nsync, Backstreet Boys and Avenged Sevenfold so they leave most of the alternatives to their devices (not to say they dont do it from time to time but it is their money afterall)
__________________ If you dont like Frenzal Rhomb, your a whore!
I am aware that "your" should be "you're," and while I know I should change it as not to offend the grammar fans around the boards, school always said not to bow to peer pressure so it stays as it is
the ones, that take good artists with potential and ruin them, and chain them to a stereotype, or a played out image thats "popular" to the masses. those coporate-owned labels
Gender: Unspecified Location: With Cinderella and the 9 Dwarves
I don'T know if there are really "bad" things that happened to music. It all seems very subjective...and even then I am not sure if any of those things you people mentioned not happening would improve my musical experience...
Shouldn't you be blaming the "artists" for allowing it? Record companies can't change those who won't change, and those who change for those reasons aren't "artists".
__________________ Still wandering
Keeping my sanity
But they won't let me dream to live or live to dream
I'm still envisioning I'm singing to herd of thousands
Soul searching for the few things that will make life all right
Pointless persecution, interrogate the hype
Pretending I'm respecting who I secretly fight
__________________ If you dont like Frenzal Rhomb, your a whore!
I am aware that "your" should be "you're," and while I know I should change it as not to offend the grammar fans around the boards, school always said not to bow to peer pressure so it stays as it is
__________________ "I'd met NaS at the Power House Studios when NaS was a teenager. But the first thing I heard about NaS (The MC) was through the buzz on the street. "Yo, NaS is dope... He's wildin'! He's talking about everything!" Then I went out and got Illmatic: The first three joints that passed , I was like, "Ahhh." He kind of made me feel normal. For somebody to come out and spit fire and people to look at him, it made me feel regular. He did a lot for my career. He may not know that, but he did a lot for my career."—Rakim