Full name: Wadey Wilson Goes by: Slade Summers, Slim Jim
Code name(s)/Alias(es): Kidpool
Affiliation: X-Men, Deadpool Corps
Gender: Male
Age/Birth date: 10
Place of birth: New York
Height: 4'6
Weight: 70 lbs.
Hair: Brown
Eyes: brown
Education: 3rd grade
Occupation: If a student just put student, unless they have a part time job, in which case write that you are applying for a position and the staff will let you know if there are openings.
Family: The Deadpool Corps
Criminal record/citizenship: American
General Appearance:(please log in to view the image)
Personality: Just like the 616 Deadpool except he's more kid friendly.
Powers: Powers
Regenerative Healing Factor: Deadpool possesses a superhuman healing factor derived from that of the mutant Wolverine that allows him to regenerate damaged or destroyed bodily tissue with far greater speed and efficiency than an ordinary human. Deadpool is able to heal injuries such as slashes, puncture wounds, bullet wounds, and severe burns within moments. His healing factor is developed to the point that he can regrow missing limbs and organs. As Deadpool had cancer at the time of the gene therapy which endowed him with these abilities, it bound to the "healing factor" so that in a sense the cancer is his healing factor, which is why his skin is still horribly scarred. Unlike Wolverine抯 natural healing factor, Deadpool抯 is mentally driven to a partial extent.
Foreign Chemical Resistance: Deadpool's body is highly resistant to most drugs and toxins. For example, it is extremely difficult, though not impossible, for him to become intoxicated (Blind Al made several references to Deadpool being hungover since he once drunkenly spoke to the Telletubbies on the TV he was watching). He can, however, be affected by certain drugs, such as tranquilizers, if he is exposed to a massive enough dosage.
Disease Immunity: The unique regenerative qualities of Deadpool's healing factor also extends to his Immune System, rendering him immune to the effects of all known diseases and infections.
Extended Longevity: Deadpool's healing factor provides him with an extended lifespan by slowing the effects of the aging process to an unknown degree. His life span is extended to such a degree, that he is even alive and still in business as Deadpool even 800 years from the present as shown when the new X-Force encountered him in the future recently.
Telepathic Immunity: The healing factor causes his brain cells to be in a constant state of flux and regeneration, rendering him immune to psychics such as Professor X and Emma Frost.
Peak kid Strength: Deadpool possesses great, though not unnatural, physical strength for a child. He is capable of lifting at least 220 lbs but no more than 400 lbs.
Superhuman Stamina: Deadpool's musculature generates considerably less fatigue toxins than the muscles of an ordinary human being, granting him superhuman levels of stamina in all physical activities. He can physically exert himself at peak capacity for several days fatigue begins to impair him.
Superhuman Agility: Deadpool's agility, balance, and bodily coordination are enhanced to levels that are beyond the natural physical limits of even the finest human athlete.
Superhuman Reflexes: His reflexes are similarly enhanced, superior to those of even the finest human athlete.
Immortality: Deadpool has actually met and established a relationship with the personification of Death in the Marvel universe and as a result has been cursed by T-Ray, at the behest of Kid Thanos, to be unable to die. Death stood him up at some high school prom that he invited her to once she found out that he was cursed with immortality.
Roleplay Awareness: Wadey knows he is in a roleplay and he tends to speak to the little italicized words every now and then. He has tried to convince others but everyone thinks he's just insane.
Weaknesses: He's vulnerable like a regular human his size and age, nothing out of the ordinary, human durability and all.
Power Potential: He could be as useful as 616 Deadpool, but now he's a notch or two below him, but equally awesome.
Other: Equipment
Deadpool utilizes a teleportation device located in his belt to whisk him out of (and occasionally into) danger, as well as a holographic image inducer that he can use to disguise his true appearance as necessary.
Weapons
Deadpool wields two real life light sabers that he stole from George Lucas, in the roleplay he is unable to refer to them as light sabers because Paul would be sued for copyright infringement or something so a part of it's name will always be bleeped out.
He and 616 Deadpool have concocted an evil plan where he poses as the future son of Scott and Emma. With this Scott will be forced to spend time with his son, take him on walks, buy him toys and big wheels. It's like paying for someone else's child support.
Wadey also doesn't have scars and stuff like 616 Deadpool and he's cloaking his actual face to resemble Scott.
Name: Wa-ya (wolf in Cherokee i think )
Alias(code name): Wolf Girl
Identity(publicly known ot not): no
Height: 5'5
Weight: 115
Age:17 but was born in the late 1800's
Powers: control over the elements such as water, earth, fire, air, and lightning she can also turn into a spirit wolf
Gadgets/weapons(if any): none
Appearance: Wolf ears and tail (see pic for rest)
Bio: Wa-ya was a shaman to her people in her days, they were a a little but happy tribe located in todays Canada. One day the the White demons as her father called them appeared in great numbers demanding they surrender there home to them, Wa-ya's people refused and went to war. It wasn't long before they defeated but Wa-ya refused to surrender and loured many of the enemy into a cave she set up as a trap to take as many as she could with her to the after life. Wa-ya asked for one last favor from her mother earth to smite the monsters in the cave along with her. They cave began to collapse killing the demons that were after her, she smiled as rocks slammed to the cave floor around, she welcome death but suddenly instead of being crushed by the massive boulders she was encased in a large crystal then she heard a voice " sweet u-we-tsi-a-ge-ya (daughter) your time is not yet, you are needed else where in another time, please sleep until I call for you and I will take care of your body."
Wa-ya slept until she heard a familiar voice "wake up my u-we-tsi-a-ge-ya it is time to face you destiny."
Name: Hatsumomo Ito
Alias(code name): Shamisen
Identity(publicly known ot not): unknown
Height: 5 foot 4 inch.
Weight: 115
Age: 26
Powers:
Shamisen: When she strikes the strings, waves of sound barrage her enemies... usually shattering any windows nearby. This sound can make a nrmal persons ears bleed.
Fans: When she waves her fans, blue spirit blades fly ar her enemy. These blades look like deer horn knives. These knives can be destroyed if they hit a hard object... or something thick like a building. After they have hit their target, the blades dissapear.
Umbrella: When she twirls her umbrella, large guests of wind can pick up or blow away her enemy. once she stops spinning them, than the winds stop and her target drops to the ground.
Voice: ( http://www.youtube.com/watch?v=3rnU...feature=related ) Her voice can relax her target to a point where they are vulnerable. She can also sing high enough notes to produce something similar to a sonic scream.
Gadgets/weapons(if any): Shamisen, Fans, paper umbrella
Appearance: http://th01.deviantart.net/fs42/300..._Maru_Light.jpg http://fc02.deviantart.net/fs42/f/2..._Maru_Light.jpg
I know her powers arent very clear... kinda hard to explain and no one would really help me. >.<
For those of you who dont know what a Shamisen is:
The shamisen or samisen (Japanese: 三味線, literally "three flavor strings"), also called sangen (literally "three strings") is a three-stringed musical instrument played with a plectrum called a bachi. The pronunciation in Japanese is usually "shamisen" (in western Japan, and often in Edo-period sources "samisen") but sometimes "jamisen" when used as a suffix (e.g., Tsugaru-jamisen).
The shamisen is similar in length to a guitar, but its neck is much slimmer and without frets. Its drum-like rounded rectangular body, known as the d╛, is covered front and back with skin in the manner of a banjo, and amplifies the sound of the strings. The skin is usually from a dog or cat, but in the past a special type of paper was used and recently various types of plastics are being tried. On the skin of some of the best shamisen, the position of the cat's nipples can still be seen.[1]
The three strings are traditionally made of silk, or, more recently, nylon. The lowest passes over a small hump at the "nut" end so that it buzzes, creating a characteristic sound known as sawari (somewhat reminiscent of the "buzzing" of a sitar, which is called jivari). The upper part of the d╛ is almost always protected by a cover known as a d╛ kake, and players often wear a little band of cloth on their left hand to facilitate sliding up and down the neck. This band is known as a yubikake. There may also be a cover on the head of the instrument, known as a tenjin.
In most genres the shamisen is played with a large weighted plectrum called a bachi, which was traditionally made with ivory or tortoise shell but which now is usually wooden, and which is in the shape likened to a ginkgo leaf. The sound of a shamisen is similar in some respects to that of the American banjo, in that the drum-like skin-covered body, known as a d╛, amplifies the sound of the strings. As in the clawhammer style of American banjo playing, the bachi is often used to strike both string and skin, creating a highly percussive sound.
In kouta (小唄; literally "short song") and occasionally in other genres the shamisen is plucked with the fingers.
The shamisen derives from the sanshin (三線), an instrument of the Ryūkyū Kingdom, now a prefecture of Japan, in the 16th century and one of the primary instruments used in that area), which in turn evolved from the Chinese sanxian.
The shamisen can be played solo or with other shamisen, in ensembles with other Japanese instruments, with singing such as nagauta, or as an accompaniment to drama, notably kabuki and bunraku. Both men and women traditionally played the shamisen.
The most famous and perhaps most demanding of the narrative styles is gidayū, named after Takemoto Gidayū (1651-1714), who was heavily involved in the bunraku puppet-theater tradition in Osaka. The gidayū shamisen and its plectrum are the largest of the shamisen family, and the singer-narrator is required to speak the roles of the play, as well as to sing all the commentaries on the action. The singer-narrator role is often so vocally taxing that the performers are changed halfway through a scene. There is little notated in the books (maruhon) of the tradition except the words and the names of certain appropriate generic shamisen responses. The shamisen player must know the entire work perfectly in order to respond effectively to the interpretations of the text by the singer-narrator. From the 19th century female performers known as onna-j╛ruri or onna gidayū also carried on this concert tradition.
In the early part of the 20th century, blind musicians, including Shirakawa Gunpachir╛ (1909-1962), Takahashi Chikuzan (1910-1998), and sighted players such as Kida Rinsh╛ei (1911-1979), evolved a new style of playing, based on traditional folk songs ("min'y╛") but involving much improvisation and flashy fingerwork. This style - now known as Tsugaru-jamisen, after the home region of this style in the north of Honshū - continues to be relatively popular in Japan. The virtuosic Tsugaru-jamisen style is sometimes compared to bluegrass banjo.
Kouta (小唄) is the style of song learned by geisha and maiko. Its name literally means "small" or "short song," which contrasts with the music genre found in bunraku and kabuki, otherwise known as nagauta (long song).
Jiuta (地唄), or literally "earthen music" is a more classical style of shamisen music.
Geisha begin their study of music and dance when they are very young and continue it throughout their lives. They could be as old as sixty and still learning the art of their profession.[2] The dance of the geisha has evolved from the dance performed on the kabuki stage. The "wild and outrageous" dances transformed into a more subtle, stylized, and controlled form of dance. It is extremely disciplined, similar to tai chi. Every dance uses gestures to tell a story and only a connoisseur can understand the subdued symbolism. For example, a tiny hand gesture represents reading love letter, holding the corner of a handkerchief in ones mouth represents coquetry and the long sleeves of the elaborate kimono are often used to symbolize dabbing tears. The dance sends a message of femininity but the small steps and the limited range of movements.[1]
The dances are accompanied by traditional Japanese music. The primary instrument is the shamisen. This shamisen, originating in Okinawa, is a banjo-like three-stringed instrument that is played with a plectrum. It has very distinct, melancholy sound that is often accompanied by flute. It takes years to master and only a very experienced geisha can play with the precision and passion of a master. All geisha are required to learn to play a shamisen. Along with the shamisen and the flute, geisha also learned to play a ko-tsuzumi, a small, hourglass-shaped shoulder drum, and the taiko, a large floor drum. Some geisha would not only dance and play music, but would write beautiful, melancholy poems. Others painted pictures that gave glimpses into the mysterious lives of the geisha, and even others would compose music. The art of the geisha is her main entertainment and is most important in her training.[1]
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