Three Kings Review
by Jamey Hughton (bhughton AT sk DOT sympatico DOT ca)October 7th, 1999
THREE KINGS
****1/2 (out of five stars)
A review by Jamey Hughton
Starring-George Clooney, Mark Wahlberg, Ice Cube,
Spike Jonze, Nora Dunn and Jamie Kennedy
Director-David O. Russell
Rated 14A
Warner Bros.
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Three Kings is the most unusual war movie you will ever see, and surely
one of the best. This brilliant Gulf War action / comedy is brimming
with razor-sharp comedy, deliriously exciting action and thoughtful
drama - with just a pinch of good old-fashioned Hollywood patriotism
thrown in to boot. In most films, all of these elements would create an
awkward and overstuffed dilemma for the audience. But, in Three Kings,
the finished product is expertly polished and wonderfully engaging. In
simple terms, the movie is flat-out great.
Any dedicated filmgoer with a true sense of passion for cinema is sure
to appreciate Three Kings. Where director David O. Russell could have
opted for a mere conventional approach, he transforms the film into
sheer outlandish brilliance. But, the thing is, the messages conveyed in
the film are also straightforward enough to please the average action
fan. It depends on your critical eye, but you may leave the theater
thinking either “That was awesome!!” or “That was unique, original and
totally absorbing. Why couldn’t Hollywood be this brave more often?”
Russell doesn’t waste any time with revealing his true intentions. The
film begins in 1991, just as the Gulf War has come to a close. American
soldiers are celebrating their dismissal with loud music and alcohol,
but not everyone is so anxious to return home. Sergeant Troy Barlow
(Mark Wahlberg), Chief Elgin (Ice Cube) and Private Conrad Vig (Spike
Jonze) have stumbled upon a map that supposedly leads to a hidden stash
of gold bullion (stolen by Saddam Hussein from Kuwait). Major Archie
Gates (George Clooney), only two weeks from retirement, gets wind of
their plans and wants to join the expedition to the Iraqi bunker where
the bullion has been stored. The four soldiers set out with the
intentions of getting filthy rich.
The gold is recovered, yes, but other problems arise. The Iraqi rebels,
encouraged by President Bush to rise up against Saddam, are attempting
to fight for their freedom. But they were also informed that they would
get the support of American troops, and that has not happened. Gates
sees that the rebels are suffering, and suddenly the game plan has
changed: the soldiers are to stay and help the people from the grasp of
Saddam’s army, and then they will continue on their way. Gates, Barlow,
Elgin and Vig get far more than they had originally bargained for - each
addressing certain moral issues that they feel strongly for, but have
never spoken up about.
Three Kings is probably the funniest movie I’ve seen all year, handling
it’s comedy with a wry pleasure that most will find courageously
liberating. In the same respect, the film is heartbreaking and tragic as
well, offering many scenes of graphic war violence that are frightening
to watch transpire. Russell (who last directed the critically acclaimed
comedy Flirting With Disaster), with a watchful eye, balances everything
in a miraculous fashion. His screenplay, while containing a few periodic
lulls, is sure to remain one of the most striking and enjoyable of the
movie year.
The characters here are not emotionless cardboard stand-ups. You
actually feel for them. Clooney, who has always been a likable hero in
films like Out of Sight and From Dusk Till Dawn, is strong and
charismatic as always. Now that the actor has left ER, he is in dire
need of a theatrical hit (and if this won’t deliver for him, nothing
will). Wahlberg is a convincing performer, and rapper Ice Cube adds some
impressive, subtle sub-texts to his character (even if his facial
expressions remain rather monotonous throughout the movie). The
supporting cast is led triumphantly by Spike Jonze, who is indeed the
“fourth king”, even though the title may prove otherwise. Although at
first glance Private Vig appears to be just an annoying hillbilly
weasel, Jonze (a director himself) adds layers of unexpected personality
to the character - perhaps even emerging the standout.
The film has a fuzzed-out appearance that only assists in making the
desert climate more realistic. Russell’s camera angles are nothing short
of glorious, including an interesting scene in which we see the effects
of a bullet ripping through a soldier’s torso. For a film to be so
successful in so many areas is almost disarming, but Three Kings pulls
it off with incredible style. This is one of the most thought-provoking,
insanely original movies of the year. I recommend you drop any gold
bullion you may be carrying and rush to see it.
(C) 1999, Jamey Hughton
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