PIRATES=SEX
INT. DINING ROOM - CONTINUOUS - NIGHT
Empty. Elizabeth nowhere to be seen. Pintel and Smoldering
Pirate search, under the table, behind draperies.
PINTEL
We know you're here, poppet. Come
out and we promise we won't hurt
you.
Smoldering Pirate gives him a look -- he wants to hurt her
plenty. Pintel shakes his head: 'Don't worry, I'm lying.'
PINTEL (CONT'D)
We will find you, poppet ... You've
got something of ours, and it calls
to us!
INT. DUMBWAITER - NIGHT
Elizabeth hides in the dumbwaiter box, wrapped around the
double pulley ropes that go through the center.
PINTEL (O.S.)
The gold calls to us!
Elizabeth registers that -- she pulls out the medallion, rubs
the gold with her thumb. This is their objective. Light spills
into the box through gaps in the top as the door above is slid
open -- Elizabeth looks up through the gaps --
Pintel leers down at her.
PINTEL (CONT'D)
Hello, poppet.
Elizabeth works the ropes to lower the box. Pintel pulls the
other way; he's stronger, and the box rises. Elizabeth tries to
stop it -- wraps her left forearm through the rope and lets it
jam against the top of the box.
Elizabeth gasps at the pain, but the box stops. She saws at the
rope with the bread knife.
Smoldering Pirate helps pull the rope, crushing Elizabeth's
forearm. Tears of pain on her face, she keeps sawing --
The rope parts, and the dumbwaiter box PLUMMETS --
INT. KITCHEN - NIGHT
>From behind the door of the dumbwaiter comes a CRASH, and a
cloud of dust. The door slides open, and Elizabeth clambers
out. Her head is cut, she is streaked with dirt, and can barely
stand. She leans over the table, trying to recover.
The sound of the running FOOTSTEPS gets louder ...
ELIZABETH
Please, no ...
Elizabeth touches the chain of the medallion ... and a
desperate idea occurs to her.
The pirates burst through the doors. Elizabeth backs away,
holds the bread knife to ward them off. They come around either
side of the table, stalking her --
I thought it was intresting how elizabeth gets hurt in this scene.
Empty. Elizabeth nowhere to be seen. Pintel and Smoldering
Pirate search, under the table, behind draperies.
PINTEL
We know you're here, poppet. Come
out and we promise we won't hurt
you.
Smoldering Pirate gives him a look -- he wants to hurt her
plenty. Pintel shakes his head: 'Don't worry, I'm lying.'
PINTEL (CONT'D)
We will find you, poppet ... You've
got something of ours, and it calls
to us!
INT. DUMBWAITER - NIGHT
Elizabeth hides in the dumbwaiter box, wrapped around the
double pulley ropes that go through the center.
PINTEL (O.S.)
The gold calls to us!
Elizabeth registers that -- she pulls out the medallion, rubs
the gold with her thumb. This is their objective. Light spills
into the box through gaps in the top as the door above is slid
open -- Elizabeth looks up through the gaps --
Pintel leers down at her.
PINTEL (CONT'D)
Hello, poppet.
Elizabeth works the ropes to lower the box. Pintel pulls the
other way; he's stronger, and the box rises. Elizabeth tries to
stop it -- wraps her left forearm through the rope and lets it
jam against the top of the box.
Elizabeth gasps at the pain, but the box stops. She saws at the
rope with the bread knife.
Smoldering Pirate helps pull the rope, crushing Elizabeth's
forearm. Tears of pain on her face, she keeps sawing --
The rope parts, and the dumbwaiter box PLUMMETS --
INT. KITCHEN - NIGHT
>From behind the door of the dumbwaiter comes a CRASH, and a
cloud of dust. The door slides open, and Elizabeth clambers
out. Her head is cut, she is streaked with dirt, and can barely
stand. She leans over the table, trying to recover.
The sound of the running FOOTSTEPS gets louder ...
ELIZABETH
Please, no ...
Elizabeth touches the chain of the medallion ... and a
desperate idea occurs to her.
The pirates burst through the doors. Elizabeth backs away,
holds the bread knife to ward them off. They come around either
side of the table, stalking her --
I thought it was intresting how elizabeth gets hurt in this scene.