It is characterised by a slow, spaced-out sound that a number of artists in the early and mid 1990s made synonymous with the city. These artists can include the aforementioned original Bristolians Massive Attack, Portishead and Tricky and others such as Way Out West, Smith and Mighty, Up, Bustle & Out, and The Wild Bunch.
The Bristol Sound was part of the wider Bristol Urban Culture scene.
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You've got so many machines, Richard. Go on, give us a snare rush!
In 1994 Trip-Hop was applied to a wide variety of electronic music that was later divided into sub categories such as Big Beat, and Electro. After the success of Massive Attack, Portishead and Tricky albums in '94 and '95, a new generation of trip hop artists emerged with a more standardized sound. "Post trip hop" artists included Morcheeba, Chloe Day, Alpha, Mono, The Aloof, Glideascope, Cibo Matto, etc. These artists integrated trip hop with Ambience, R&B, Brit-Hop, Breakbeat, Drum 'n' Bass, Acid Jazz, New Age, etc. Furthermore, vocals expanded beyond melancholy female voices. The first printed record for the use of the term "Post trip hop" was as late as October 2002 when British newspaper The Independent used it to describe Second Person and their hybrid sound. Trip hop has now developed into a diversified genre that was no longer limited to the "deep, dark style" of the early years, eliminating the original impression of trip hop as "dark and gloomy."
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You've got so many machines, Richard. Go on, give us a snare rush!
KMC Community Forums
Apr 4th, 2007 05:37 PM
