Gloria Review
by Michael Dequina (michael_jordan AT geocities DOT com)January 30th, 1999
_Gloria_ (R) ** (out of ****)
Since her breakthrough performance in 1992's _Basic_Instinct_, Sharon Stone has been intent on proving that she is a "serious actress." Yet while she earned her critical and industry vindication with her Golden Globe-winning and Academy Award-nominated turn in 1995's _Casino_, Stone still feels she has something to prove.
Stone's latest bid for her already-won respectability (further cemented by her generally well-received turn in 1996's _Last_Dance_ and her recent Globe nod for last year's _The_Mighty_) is _Gloria_, director Sidney Lumet's update of John Cassavetes's 1980 drama of the same name, which earned star Gena Rowlands matching Oscar and Golden Globe nominations. I have not seen the original film, but on her own merits (despite a distracting accent, which also marred her otherwise strong _Last Dance_ work), Stone delivers an appropriately steely but warmly comedic turn as the title character, a gangster's (Jeremy Northam) ex-girlfriend who takes under her wing a young boy (newcomer Jean-Luke Figueroa) whose family was killed by the gangster's crew.
It is highly doubtful, though, that Stone will duplicate Rowland's double nomination, for the film overall is much less effective than she is. Although the film had been sitting on Sony's shelf for a year, and the studio opted not to screen it for critics, _Gloria_ is not the disaster those facts would suggest; the film is simply more dull than anything else. Lumet is no stranger to the streets of New York, having walked the territory in films sush as _Dog_Day_Afternoon_ and _Serpico_, and the look and atmosphere of _Gloria_ bears a gritty authenticity. But there's little Lumet can do to juice up Steven Antin's suspenseless update of Cassavetes's original script--not even an extended car chase. Not long after the setup, where Gloria is released from a Florida prison; a mob thug murders the family of the kid, Nicky; and the two meet, the film settles into a predictable rhythm. Scenes of Gloria being simultaneously annoyed and charmed by Nicky alternate with those of her ex, Kevin, ordering his men to find and kill the pair and retrieve the precious floppy disk in the Nicky's possession. The repetitive nature of the script could have been made somewhat bearable if it built to an exciting climax and resolution, but there is neither. The conflict with Kevin is resolved in a most anticlimactic fashion, and the outcome of the Gloria/Nicky relationship is pretty much what one can predict from the get-go.
So, yes, Miss Stone, you can act, as we can see yet again in _Gloria_. We get it already. Now it's time to start entertaining your audience, something you haven't done in much too long.
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Michael Dequina
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Originally posted in the rec.arts.movies.reviews newsgroup. Copyright belongs to original author unless otherwise stated. We take no responsibilities nor do we endorse the contents of this review.
