South Park: Bigger, Longer Review
by Joe Barlow (jbarlow AT earthling DOT net)July 9th, 1999
SOUTH PARK: BIGGER, LONGER AND UNCUT
A movie review by Joe Barlow (c) Copyright 1999
STARRING (the voices of): Trey Parker, Matt Stone, Isaac Hayes, Mary Kay Bergman, Minnie Driver, George Clooney
DIRECTOR: Trey Parker
WRITERS: Trey Parker, Matt Stone, Pam Brady
RATED: R
RELEASED: 1999
"This movie has warped my fragile little mind." -Eric Cartman, "South Park: Bigger, Longer and
Uncut"
The above quote from Eric Cartman could easily function as
a one-sentence review of the new animated film in which he stars.
I never thought I'd see the day when a cartoon about
potty-mouthed
children, a sex-obsessed cafeteria cook, and a piece of singing feces
became not only acceptable television programming, but a national
phenomenon as well. God bless America.
Since debuting on Comedy Central in 1997, "South Park" has
continually pushed the envelope of good taste and challenged the
conventional idea of what is and is not appropriate for television.
The battle has not been an easy one: since the very first episode
was aired, the network has been besieged by letters from angry parents, religious organizations, and nearly every political group in the country, all demanding the immediate cancellation of
the series. But the proof is in the Snacky Cakes: Trey Parker and
Matt Stone, the show's creators, have demonstrated that poo-poos and
profanity can not only entertain the masses, they can also mean big
merchandising dollars. Now they're gambling that they can take the
premise (and its profits) to the next level.
"South Park: Bigger, Longer and Uncut" is ninety minutes of
nearly continuous profanity, vomiting, sexual innuendos and fart
gags. It's crude, horrifying, shocking, disturbing... and the funniest movie I've seen since 1993's "Clerks." Moral Majority,
kiss my ass.
In the small "redneck mountain town" (according to the opening song) of South Park, Colorado, life is quiet and peaceful--
idyllic, even. But the town's solitude is challenged when a new
film opens at the local theater: "Asses of Fire," starring Canada's
Terrence and Phillip (a comedy duo whose schtick revolves entirely
around their ability to fart on cue). Four of the local children
(Eric Cartman, Stan Marsh, Kyle Broflovski and Kenny McCormick) sneak in to see the R-rated movie, and are quite taken with the new vocabulary words contained therein. As is the way with children,
they promptly begin showing off their new arsenal of colorful phrases
at every possible opportunity.
The community is outraged that four pure, innocent children have been corrupted by the film (apparently they don't watch the "South Park" TV show), and soon the president declares
all-out war on Canada, the bastion of evil responsible for the offending movie. Terrence and Philip are sentenced to die, and the boys hatch a plan to save their idols. Even more is at stake,
however: Kenny discovers that if Terrence and Phillip are killed,
Satan and his lover, Saddam Hussein, will gain dominance over the
world.
No matter what you may think of the convoluted plot, one has
to admire the skill that has gone into constructing it. "South Park"
is one of those treasured rarities: a movie that actually enriches
the TV show upon which it's based. Once again, envelopes are pushed
to the breaking point (the MPAA initially gave the film an NC-17
rating), and contemporary topics are brilliantly satirized: look for
sly jabs at Jar Jar Binks, racism, conservative America, and the MPAA
itself... not to mention the Broadway musicals from which the film
draws much of its inspiration.
Yes, that's right, the film is an all-out musical
affair,
with lots of singing and dancing. Fear not, however: unlike those
in recent Disney features, these tunes are actually memorable, managing to stay imbedded in your head for days afterwards. There's
"Mountain Town," the bouncy opening number which extols the virtues
of small-town life; the inspirational "What Would Brian Boytano do?";
the villainous "Blame Canada" (which recalls the positively evil "Be
Prepared," from "The Lion King"); and a frantic rendition of the toe-
tappin' "Kyle's Mom's a Bitch" (an "It's a Small World"-type sing-
along), which is guaranteed to offend absolutely everyone.
The irony is that once you get past the language, "South
Park: Bigger, Longer and Uncut" has a more uplifting message than
much of the tripe Disney has drummed out in the last ten years. It
stresses that we are one planet, and we should treat each other's
beliefs with respect and tolerance. It also reminds us that children
are people too, and deserve to be treated as thinking creatures, not
something that needs to be coddled and shielded from the big bad
world. Hear, hear.
Is the movie actually 'good'? That's totally
subjective:
after all, how does one rate the artistic merit of a
surprisingly
graphic love scene between Satan and Saddam Hussein? Or of watching
a little boy burn himself to death by attempting to light his own
flatulance? All I can say is that the movie made me laugh harder
than almost any other I've ever seen, and I was actually a bit moved by the strangely sweet yet unapologetically ridiculous final
scene. Admittedly, the pace and premise do begin to grow a bit stale by the time the final twenty minutes roll around, but it's a
minor drawback: there's so much to see and hear in the first hour
that I don't think any fan could possibly be disappointed. If you
think you've got the stomach for it, you'll be hard-pressed to find
a more daring comedy.
Oh, and Kenny dies.
RATING: *** out of a possible ****
*************************************************************** *
Copyright (c)1999 by Joe Barlow. This review may not be reproduced without the written consent of the author.
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