yeah, i bought it under the pretense of it being "the greatest film ever made", and you know what?! it isn't it!
the cinematography/direction was great, that was it.
i'm slowly paying more and more attention and am being more entertained my Ebert's commentary than the film.
film without ebert commentary 2/10
film with ebert commentary 7/10
It's a masterpiece of a film. To think that Welles was only 25 when he made it and that he invented new aspects of filmamking while breaking old ones to create a work of art.
The film's impact on the films that preceded it (including modern films) is second to none. The non-liner story, the low angles, the deep focus photography, are all techniques that are still used in todays films
Definatly 5/5
It's a classic, many people find either they love it or hate it, I love it. The ending was priceless though and really when you look back on the movie, you realized that Kane was a very sad person. I think the word "Rosebud" was the only thing that really made him happy in his life and supports the idea that money doesnt buy happiness. 5/5
Originally posted by Zerosparx
It's a classic, many people find either they love it or hate it, I love it. The ending was priceless though and really when you look back on the movie, you realized that Kane was a very sad person. I think the word "Rosebud" was the only thing that really made him happy in his life and supports the idea that money doesnt buy happiness. 5/5
yes, it was priceless in a sence because the only thing he couldnt buy was his childhood ect ect. but i have to agree with cinema, because i almost fell asleep towards the middle of it
Originally posted by Cinemaddiction
I tried to watch "Touch of Evil" the other day, and felt the exact same way. There were absolutely no redeeming qualities in the film, other than Janet Leigh.
Oh for the love of poop! Have you no shame? Even if you can't stand "old" movies and only like to see films with all the pretty colours in them... Touch of Evil is like a masterclass in direction.
No redeeming qualities ? The OPENING scene is perhaps the most magnificent tracking shot in cinema history. The structure of that shot has more thought in it than the entirety of I ROBOT. It virtually invented the concept of camera movement as narrative.
Sheesh.
Dang didnt know that. I agree with the Touch of Evil opening and I, Robot. I think in order to appreciate new films you must gain an understanding of the classics. Though Citizen Kane is only one film there are many great classics...Vertigo, Rear Window, Guys and Dolls (Great musical), Singin' in the Rain (My favorite musical), On the Waterfront. These are all great classics that Moo Cow and Cinema might want to try, although I heavliy recommend the musicals.
Well, I don't like musicals, and I can't appreciate the "classics", so I'll respectfully decline.
Zero, "Touch of Evil" and it's opening were money, granted, but the rest of the movie was intolerable, IMO. Heston was about a believable Mexican as Christina Aguilera. The plot was a jumbled mess that should have made for a 30 minute long feature, given the ending was apparent for miles.
Honestly? No amount of innovative sweeps, sharp framing, or visual narrative can make up for a lack of story, poor dialogue, and even less than enthusiastic acting.
Just my take.