1. Make sure you are getting bang for your buck. Your disc only has 74 or 80 minutes. If you are using a seven-and-a-half-minute song, it must be good enough that it's worth sacrificing three two-and-a-half-minute tunes. Will you get more pleasure from Songs😮hia's "Didn't It Rain" or from those three White Stripes tracks? (Answer: "Didn't It Rain".)2. On a single Mix CD, you may never use more than two songs by the same artist. This includes duets.
3. Never use novelty songs. No matter how amusing they are now, on the twentieth listen, they will be like having your nerves splayed.
4. Your first track should be smooth and fairly energetic. It must embrace you into the mix, and bring you up to speed.
5. Your second track must be even higher energy than the first. It must give you enough intertia to coast through the next several tunes, without reconsidering your album choice.
6. Your last song must either close things with a bang, or let you down slow and easy. No in-betweens.
7. Use variety. Follow long songs with shorter ones, fast songs with slower ones. Don't go overboard on this rule - it is sometimes quite lovely to go through an extended period of same-paced music. Four or five songs in a row, however, without a respite, can be exhausting.
8. Transitions are the single most important aspect of a good Mix CD. Once you've chosen 74 or 80 minutes of music, determine the track order by listening to the end of a song and then listening to its flow into the next. Successful transitions are nearly impossible to predict - sometimes it's instrumental (a mournful trumpet closes B, a zesty trumpet opens A), other times contrast (an intense ballad followed by a glitchy, white-noise heavy electronic piece), or even based on songs with musical similarities (the same key, the same notes). Transitions make or break a compilation.
9. Pauses between tracks. Once you've picked the track order, make sure your burning software gives you the ability to select the pause between each individual track. Listen to every song on your planned disc, letting one song transition into the next, and decide how long a silence you desire. Often, for contrast, you will use 0s. Other times, the listener will need a moment to breathe. Pauses are usually 0-2s.
10. A disc is not complete until you have designed the art for its jewel-case. Find a title that sums everything up. Find art for the cover (for those of us who can't draw, exploding dog, devoted bee and little rocket are wonderful sources). Write a story for the back. Choices of font and colour are of vital importance.
11. Listen to your mix. If it does not quite 'click' (and you will know if it clicks -- it will feel perfect), you have failed. Destroy it, or give it away (with proviso) to someone who doesn't mind.
12. Brew your mixes. Don't burn them until you're ready. Make sure you've distilled your tracks down to the finest possible contenders; give everything time - a new favourite may grow stale fast, a new gem may be just around the corner.
13. Stand by your songs. Tracks are your currency in the Mix CD game: your little discoveries are more valuable than gold. Ignore artists, ignore indie cred - if there is a song you love, if there is a song that moves you, use it. I have a Mix CD with Madonna ("Remember Me"😉; I have a Mix CD with POTUSA ("We're Not Gonna Make It"😉.