#93 and Untitled #96 and others are crouched down on the floor, such as in Untitled #92. The vantage point of the viewer, who looks down on these women, reinforces their vulnerability, as does their mostly dishevelled look.
When the series was shown, Sherman was criticised by some as having created images that reaffirm sexist stereotypes, and Artforum eventually rejected the pictures. The most potentially suggestive of the works, Untitled #93, depicts a woman with messy hair and smudged makeup in bed covering herself with black sheets. She looks toward a light that shines in her eyes. Although some critics read this as a scene after a rape, Sherman has stated that she was imagining someone who had just come home in the early morning from being out partying all night, and the sun wakes her shortly after she has gone to bed.