In case you hadn't noticed, the Academy know very little. Or are you one of those people who thought Forest Gump was the best movie in the year in which Pulp Fiction came out? Either way, using the amount of Academy Awards a film wins as proof of it's quality is pretty idiotic, no offense.
Originally posted by BackFire
Platoon being superior than FMJ is entirely valid. Many many people see it as the BEST vietnam movie ever, I think it definately beats Hamburger Hill as well.Platoon, as I said earlier, achieves its greatness by doing what was once thought to be impossible - Showing combat not as exciting, but as tragic and scary. The combat in most other war films comes off as exciting, and sometimes fun. Platoon's portrayal is by far the most plausable and accurate, with the sense of pure insanity during the combat scenes, you, as the characters in the film, often can't even see where the enemies are firing from. Many veterans of Vietnam also feel Platoon is the most accurate at depicting combat, not to mention it's accurate depiction of the negative morale and the deplorable actions executed by US soldiers, something no other movie had tackled up until that point.
It makes sense, seeing as Oliver Stone based much of the film on his own experiences in Vietnam. Don't get me wrong, Full Metal Jacket is my personal preference, it's one of my favs, but Platoon being the better film is an entirely plausable argument.
Maybe to some people. I think I should explain exactly why I don't think Platoon is a very good movie compared to FMJ, otherwise I'm just going to sound silly.
You mentioned the accuracy. I accept that it is one of the most accurate depictions of war, but seeing as I have never experienced war myself, I don't see why I should see that as a major plus point. Kubrick handles the war scenes very differently in FMJ, but goes to great lengths to explain why, and I for one believed in FMJ just as much as I did Platoon, why shouldn't I? As long as the movie isn't showing the soldiers flying around the jungle on wires a la Crouching Tiger, or sprinting though hails of gunfire unscathed a la any Schwarzenegger movie, and if the sense of fear and danger are palpable, then you have an accurate war movie. FMJ kept me on edge just as much as Platoon, and the brilliance of that is you don't even like the characters in FMJ; they're no longer human-humans let loose in a war-torn country with heavy firepower.
The characters in Platoon are also pretty stereotypical. They're all the same demoralized, dope-smoking racist idiots, for the most part. And when Charlie Sheen is your protagonist, well, there goes the whole caring about the characters thing. In FMJ though, Kubrick does this deliberately, he shows you the decline into monstrosity that some of these marines went through, and then dangles Joker (who in the beginning is very likeable) in front of the audience right up until the last moments of the film, you're hoping and hoping that he'll hold on to his humanity amongst this crowd of animals he's patrolling with. His journey, along with the frankly horrifying destruction of Pile, are both far more personal and emotionally gripping than the entire contents of Platoon.
Basically, FMJ is a more powerful, personal and definitely original movie, and made by a far superior director. Platoon on the other hand, IMO, relies on a ensemble of guys desperately trying to win Oscar nominations, and while it does generate a genuine sense of danger and a faithful depiction of war, it's too generic plot-wise to compete with FMJ certainly, as well as The Deer Hunter (which makes Platoon look incredibly shallow).