A Red Hen Publication
Ok, I came across this piece rather by accident as I followed an external link at the bottom of the Wikipedia article on the Deathly Hallows. I don't usually follow these links, but for some reason this one captured my interest. I'm going to copy and paste the article I found on Red Hen regarding Harry Potter and the much anticipated book seventh. This piece also references all of the other books and theorises, guesses and second guesses, discusses and argues and also includes some quite caustic and sarcastic comments. I found it to be excellent. Be warned, it's a long read 🙂
Endgame.
A chess reference.
Well is it?
Does the adventure of Harry Potter and the Dark Lord read as a viable chess analogy?
I don’t see a lot of evidence for it. As the series has progressed, we even seem to be getting less and less attention drawn to games of wizard's chess going on in the background.
And yet, we’ve all realized by now that once something occurs in this series, it seems to be exponentially more likely to recur than not. And we were given a major chess moment back in year 1.
So do I expect another game of live chess?
Well, no. I don't. I think that we might get some more chess references, and possibly some chess imagery, and we quite probably could get some overt chess strategy or tactics, but whatever game it is that we’re playing, it doesn’t really seem to be chess. But, then, I do not play chess, I might not recognize a parallel even if it is right under my nose.
Although I do think it might not hurt for us to direct a bit of attention back to the chess game we did get.
If there is a chess metaphor in operation, by this time we could probably put names to some of those captured pieces on the black side. Cedric, probably James and Lily were all pawns. If they were ever even on the board at all. You can make a good argument for Sirius Black being the “other Knight” whose capture so shocked and frightened the trio and convinced them all of the seriousness of their danger. The only one of the towering, faceless white pieces who opposed them whose actions we were ever told about was the Queen, who was all over the board, violent and deadly.
But, to be truthful, I cannot see that a chess metaphor works at all if one attempts to apply it literally, it’s far too labored. Nor can I really see any way to viably postulate a separate identity for the “King” and “Queen”, in the progress of this series to date. Particularly given the shortage of active female characters, and the subordinate positions of the ones we do have. I can only conflate the two into “Ruler”, whereupon we are no longer dealing with chess. And, in that context, by this time, with Dumbledore's removal from the board you would expect the game to be over, which it clearly is not.
Unless, of course, Dumbledore was not the Ruler, but the player. In which case, what was he doing on the board in the first place?
Besides, it is only a pawn that survives to the 8th square which is transfigured into a Ruler. And Harry does not really seem to be a pawn.
And I don't really think that what happened in the match of the live chess game in the Labyrinth was intended as a prediction or a reflection for what will eventually happen in the “endgame” of the series, either. So we should probably all be vigorously trying to divest ourselves of any underlying expectations we may be harboring that are based upon it.
The endgame of a chess match is the final phase of the game, when there are few pieces left on the board. Some define this as the part of the game when the King comes out and fights. For others the main objective of this phase is to promote your pawns. It's real purpose is to narrow the focus and bend all of your attention to capturing the enemy King.
HRH stepped into the positions of three of the pieces in McGonagall’s game of living chess. Named pieces, with set roles. They were not pawns.
They also played the black side. We have to ignore the usual symbolism of our cultural associations regarding black vs. white here. This is chess. In chess it is the white side that always initiates the conflict.
I think that the relevant metaphor here, if any, does not concern the characters “fates” so much as their assigned roles in which they brought the conclusion about.
And just what were those roles?
Hermione = Rook. One of the “major” pieces. After the Queen, the most versatile, and visibly powerful piece on the board. It can travel any number of squares in one move, occupy light or dark squares, shift forward, back, or sideways in either direction. But it is constrained to move only one direction per move and to move only in a straight line, to follow the grid, to cross from one square to the next across the straight lines. A Rook may move up or down rank or file, but only one or the other in any move. This is a piece with considerable power but little subtlety. You always see it coming. If we have to put a face on the “other Rook”, that face could well be Hagrid’s. He has a part yet to play.
I might have said that the other Rook was Minerva herself, but this whole “challenge” was hers. She was the player of that game, not one of the pieces. And she was playing the other side; the opposition. Indeed, if Minerva was a piece on that board, she was the terrifying white Queen!
Ron = Knight. A “minor” piece. The piece that leaps around corners. The Knight's move appears erratic, impulsive and unpredictable, and you don't necessarily see it coming. It is the only piece that can leap over other pieces with impunity; but for all of its apparent eccentricity it is tightly constrained by its traditions. Two squares forward or back, plus one over, in either direction, or, two squares over to either side and one square forward or back. From the Knight's starting point there is a maximum of only 8 squares that it can land, the path to each as crooked as a spider's leg.
Harry = Bishop. The other “minor” piece. The piece that always starts the game positioned closest to the Ruler. Able to travel an unlimited number of squares in every move. Constrained always to follow an oblique path crossing squares only at the corners. The piece that “walks through walls”. Easily overlooked. The Bishop is further constrained to travel forever only on the same color of square from which it begins the game. Each side has both a “white Bishop” and a “black Bishop”. Between them they rule the whole board.
If Harry is Albus’s “white Bishop” (“No Unforgivable Curses from you, Potter!”) I don't think that we need to ask who is the black one.
And while we are directing our attention to chess, it is far from impossible to reflect that we may have been dealing with various bits of chess metaphor in the series all along. Which we, from our position in the middle of the board have not been able to recognize, and that Rowling has not chosen to call to our attention.
It’s a bit of a stretch. But it’s possible.