Originally posted by BackFire
I'm simply not a fan of twist endings in general. I tend to feel they are often used as a crutch to make up for a lackluster rest of the film. Though in this case I felt it was the opposite; the rest of the film was alright - fun and enjoyable, and I thought the ending was silly and even worse - pointless. It didn't actually add anything to the movie. You could take out the ending and not much would have changed. Spoiler:
Rather than Eli being blind and the bible being in braille, they could have had the bible simply be full of blank pages, and Eli could see, but still had the bible memorized fully from his life prior to the apocalypse or something. And Oldman's character would have still be foiled just the same.
Honestly, I thought that my idea of him being blind was wrong towards then end there with Oldman starting looking at the pages: they looked blank, initially. So, I thought that was how it was going to end...foiling my guess, and making me look like a fool to my friends.
😆
Yes, that ending would have been fine, as well. And when he cues into things with his hearing, and bumps into things, it would have just seemed like it was a "more real" take on filming...with mistakes.
But, I still like the current ending better because it makes him more badass...thought the "blank pages" would be better "pwange" against Oldaman's character. I take that back: it was better for him to get pwned by the blind slave mama. The "sting" would not have been as good. In order for him to get the complete "owned" even his slave/wife had to refuse him and insult him. It was a way to make up for how he mistreated her in the past, as well.
Originally posted by BackFire
It just wasn't essential to the film. Didn't alter the course or the theme of the film, which is what a good twist ending should do.
I feel differently. Usually, altering the course of a film by a simple word, phrase, or small plot device, is quite lame and poor writing.
What it should do is elegantly change the interpretation of previous events while confirming little tidbits hidden throughout that would be revealed upon a second viewing (for most..some people like Bardock and myself have a nasty habit of guessing crap and pissing people off)
Originally posted by BackFire
On the same token, a twist, while altering the entire course of the film, should feel organic and essential. After seeing the ending, I shouldn't be able to imagine any other ending to the film, it should be mandatory in order for the film's themes to be explored properly, instead of a "oh yeah? Well guess what? He's a ghost. BAM!" Most twists don't follow this course of thought, though, which is why I don't like most of them.
You see, I think every ending, including twists are always questionable. That's because I like to write stuff, myself. I always think about how a film could be improved...regardlesss of how good it was. I do that to both improve my own writing ability (lord knows it needs improvement) and also to see what could have been done better.
Originally posted by BackFire
Being able to think of something surprising isn't impressive for me. I'm more impressed if they're able to weave it into the very structure of the narrative.
And that's exactly what they did with this film.