srankmissingnin
VP of Comic Knowledge
Originally posted by Myth
Even when it was as you described, I thought the film work and music kept the tension going. I think most movies these days try so hard to make sure there is always diialog or action, and skip on the tension building scenes where nothing is directly happening. This felt old school like a lot of old classics that had no problem just showing the actors looking, walking, driving, etc.
I agree. Even the scenes that were essential Gosling staring intently came off as incredibly dramatic and intense thanks to the score and audio cues. The electronica / electro-pop sound track and the throbbing heart beat baseline combined with some top not acting instilled the sense that building tension was going to boil over any second with explosive violence. Incredible acting, directing, cinematography, matched with a near perfect score / sound track. My only complaint is the song choice when Driver was fallowing Ron Pearlman's character. The film definitely has that oldschool fell you mentioned, Gosling is essentially channeling the ghost of Steve McQueen, and the direction has the feel of vintage Michael Mann or maybe Sam Peckinpah.
Funny how you say this is your favorite movie since Inglorious Bastards. Driver is like the opposite of a Tarantino movie. A nuanced, understated and introspective thriller, Tarantino wouldn't understand either of those words if they introduced themselves to him and then decked him clean in the face. 😈