srankmissingnin
VP of Comic Knowledge
I HATED this movie, and the sad part is there was nothing overtly terrible about the acting or the story. What just killed it for me was the score that was completely ill suited for the tone of the movie. The film just couldn't build up any drama or tension with this terrible Jazz line coming in every time the film tried to ramp up to something. When the electro-jazz wasn't playing the rest of the film was quiet with this sort of airy whistling noise, like a window had been left open or your ear drums had just popped.. truly bizarre sound design choices that constantly pulled me out of any sense of immersion I had while watching the film.
Also Michael Angarano's character is completely useless to the story, for the life of me I have no idea why a large chunk of the story is framed around Mallory (Gina Carano's character) telling him about the two missions that led up to the ordeal she is currently in. It's useless. His character is only on screen for the few minutes that book end the flash backs... then he disappears from the movie entirely when her story catches up to current events halfway through the movie. Why? A straight forward narrative would have helped the film establish a constant tone and build tension... but I honestly don't think it would have made much of a difference with the terrible score.
There is a good movie in there somewhere and I honestly don't think it would take much time in the editing room to turn this garbage into a decent film... which makes it even more infuriating. Come on Soderbergh, step up your game.