Originally posted by coco_x
Why isn`t there only one elvish language?????
it s only harder to learn it if there are many more. (very hard)
Because Tolkien was a linguist and thus very interested in etymology and so on... all elvish languages have the same roots but are quite different in words and especially grammar, though everything is derived from one "Proto-Eldarin"; it's like in Europe where there are many germanic languages, like English, German, Danish, Norwegian, Swedish and so on and so on, and if you understand one or two the others sound familiar to you though you cant understand everything.
And they werent made to be learned but to make Middle-earth realistic... in fact middle-earth is just the space for the languages to spread their individuality.
Originally posted by coco_x
Do all elvish languages use the same writing ????
They use the same systems, but in variations.
There are three main types of elvish writing - the oldest are the Sarati, then came the Tengwar and the Cirth.
The Sarati are forgotten in Middle-earth and are only used in Valinor. They work in a system likely to that of the Tengwar and also use tehtar for the vowels and are good to be written with a feather, although they're not written from left to right but vertically down. They are not too well-documented.
The next one is the Tengwar-system, invented by the smith Feanor as a further form of the Sarati; they're the letters most people know as "elvish". They were used for the ring-inscription and that on the door of Durin in Eregion; there are modes for practically all languages, including Black Language, the Languages of Men or our modern languages, always with some differences concerning the adaption of the letters for the single sounds. They are supposed to be a phonetic writing, but this fact is often lost, unfortunately, and so there are many ill-looking inscriptions spread on the net. They are created to represent the actual sounds of words, not how they might be originally written in our Latin letters. Like for example the word "knight" - it wouldnt be written k-n-i-g-h-t but n-ai-t (ai being nearly a diphtong, I think), so it's used like the writing you always find in dictionaries for foreign languages after the word in [ ... ].
In Sindarin that doesnt make a real difference, but for languages like English or French it's quite important.
The most important or best-known modes are the "Quenya-mode", the "Noldorin-mode" (used for Sindarin; changing the positions of the vowels and altering some sounds like qu or dh compared to the Quenya-mode), the "Beleriand-mode" (also for Sindarin, but using full letters for the vowels and not only tehtar; also some nasal-changes caused by these vowels) and the "Westron- (or English-)mode" (with letters for sounds like "sh", "ch" and so on). If you learn elvish writing, you'll most probably learn the Noldorin-mode, though it's not the easiest of them.
Finally we also have the Cirth or Runes, used for carving in stone, wood or metal; there are also many different forms for Sindarin, Dwarvish etcetc. The systematical order is similar to that of the Tengwar but they're more pointed and have no round parts so that it's easier to cut them into the materials. They are probably easier than the Tengwar and especially easier to learn as Tolkien gives a whole table inclusive Latin-alphabet- transcriptions, but by far not as beautiful as the Tengwar.
Examples for the Runes are for instance the inscription on Durin's Tomb or half of the lines on the first pages of most LordoftheRings-editions.
So, I think nobody really read these lines... but well... that's the problem, if you try to explain the things the others "really, really, totally seriously" want to learn, nobody will listen to you anymore because all of a sudden everything gets too complicated 😉
Learning "elvish" sounds nice, but is hard work.