the SE's should be looked upon as a more complete vision to that what was never possible at the time of creation. you cannot say that Tattooine in the SE is not effective in creating a bustling space port filled with towns people, visitors, space ports and craft. Or that the Hoth Wampa in SE ESB doesn't provide you with a more insightful look into the ferrocity of such a beast, compared to a hand coming across the screen and a close up of a 'rrraarrrr'.
You know, less is more. When I first saw Mos Eisley back in '77, I BELIEVED it was a busy little town. I BELIEVED it! I didn't need more to believe. It worked! It worked the first time! There really was no need to change it.
As for the Wampa. Less is more. I like movies where you don't see the monster, it's only hinted at. I'm only disappointed when they actually show it, and it's laughable. Also, I'm little struck by how gorey that scene is. I'm not opposed to gore, I guess, but it seemed so out-of-place. It seemed over-the-top. Especially in light of Lucas "sanitizing" the stormtroopers getting blasted in the cell block scene. He won't show people getting shot by blasters, but he'll show a monster gnoshing on a tauntaun leg? Ar-unh? Also, this added footage really, badly, altered William's musical score. The whole scene is awkward now.
Annakins origins could have been written in a more original manner while still leaving the mystical enigma intact.
You're dead right. Lucas should've stuck with his original idea of a family of Skywalkers who not only were the discoverers of the Force, but also were instrumental in the formation of the Galactic Republic. Lucas really blew it here for someone so interested in the commercialization of his films. With a whole legacy of Skywalkers, he would have comic books, books, animation, et. al. for years to come!!! The 'immaculate conception' just killed all that. How ironic. (Of course, the answer to this, is that Lucas did this on purpose so that Anakin wouldn't have a dad, and then fans would clamber and cry for a pre-prequel; you know, all Lucas would have to say is "read EU" for all that.)
Sure he wrote the 3 movies but he also relied heavily upon other writing staff to change a good deal of his dialogue and turn his rough draft into a useable script. In that sense, it was always suicide for him to exclusively write and direct the prequels but i guess over the years the Ego has inflated somewhat; so much so that he is totally impervious to criticism
Yeah, I just can't understand why he didn't get a writing committee, a better writer than somebody who wrote for a failed television series. Also, Lucas didn't really "write" for ESB or ROTJ. He threw out concepts and ideas, themes and characters, and a general plot, and the writers put it all together for him.
Well, THX, American Graffiti and ANH are well made films. I don't understand it really...
Oh, it's easy to understand. Doesn't direct or "write" for how many years? Keeps himself insular? Jaded by divorce and failed projects (Willow, Howard the Duck, etc.), jaded by his personal life (unable to produce kids of his own, had to adopt, had to be a single parent). The prequels are products of his out-of-touch demeanor. He had an 'in' an understand in the early years, but now it's not working anymore.
There are just different things in the PT that appeal to me. I, like JP, love the idea of being told the back story and meeting all these characters we'd only heard briefly about. I know that some of the acting is horrible and the directing isn't the best and sometimes the CGI stuff features a little too strongly but that doesn't make me cringe when I watch the films. I love them.
I can't believe you like them after saying all that. Nowadays, films are held to higher standards. Especially Star Wars!! It had quite a precedence, and the prequels should meet that, at the very least, but it should've exceeded it!
As for the CGI. I can be forgiving of CGI... if the STORY IS GOOD! That's where we fail.