Originally posted by Arachnoidfreak
I was having this..."discussion" with a friend.She something about abstract art not being about telling a story, but bridging a gap between art and another subject.
I said that recognition through art should be earned by TALENT, not by knowing someone that's in the art business, or because they made up some underlying meaning behind their crap painting or whatever. I get frustrated because I practice everyday, learning where to place the line just perfectly, how to shade just the right way, how to make my art come alive with a story, with an illustration that actually means something, and some other doucheface submits a BLANK CANVAS to a museum for $20,000!!!! WHAT THE ****!?
There should be a word for it, but it shouldn't be called "art". It degrades the entire meaning of the word.
Well first during the 20th century many painters started with learning how to make a drawing right before they went into abstract art, because being an artist means to know how to draw, sometimes sculpt or deal with different materials. Abstract art is just another way to express something. Art is not just a technique, and many works make sense if you take account of the intention or to the thinking process of the artist.
Nevertheless it is clear that many contemporanean works are questionable : one can really call into question the fact tha a white canvas torn can enter a museum (this has happened here at te Palais de Tokyo ; it is not properly a "permanent" museum but a place where exhibitions are organized all the time ).
The problem of abstract art is that it refers to a larger extent to the artist's personal language or universe than what is here called 'traditional art', which was clearer because you can always refer to something : the actual depicted object. It's no longer the case and that's why it is much more difficult to get into the meaning of an abstract painting, for example. That's also why some people can abuse of this and name "piece of art" what is not. When Marcel Duchamps put a urinal in a gallery, his aim was clearly to explore the relation between an artist and his work, and he was one of the first ones (if not the very first one) to understand this tricky aspect of the role of an artist.