Dan Slott returns to DC, writing Superman Unlimited
https://bleedingcool.com/comics/dc-confirms-dan-slott-on-superman-unlimited-with-rafael-albuquerque/
Originally posted by DeadpoolXXXAccording to the preview for next issue, there is some kind of feud between Eternity and Oblivion which requires trial by combat to rectify. Eternity randomly chose Storm to be his champion, and next issue she'll fight Oblivion's avatar. So I doubt Storm's Eternity-amp will stick for long, but I'm sure her Eternity-resurrection will.
so as a mutant power she can also resurrect from death and become cosmic level? super.
Originally posted by ODGA not so insubstantial part of the high that I felt after reading Hellblazer: Dead in America was due to how it perfectly capped off Neil Gaiman's Sandman saga. Just read the last page of Hellblazer: Dead in America #11. If you know, you know.
Hellblazer: Dead in America #11 was perfect. What a way to stick the landing.Spurrier's entire John Constantine: Hellblazer run is the best comics run I've read since at least Dan Watter's Lucifer vol.3. I mean, it's not even close. It is the best comics run I've read in decades.
I can't help but feel that the work put in by Simon Spurrier/Aaron Campbell (and other collaborators) is just that much more diminished given what is coming to light now. It is so unfair.
It's perversely ironic that this may very well serve to show that comics creators shouldn't be tightly bound to comic characters/stories. Give comics creators as much credit as they deserve for the comics they create, yes!!!!! But if you do... those comics can be ruined by the personal actions of said comics creators. So maybe keep a level of disconnect there.
For me, the question of separating the comics from the creators is a two-fold question. Business-wise, the companies must give the comic creators every bit of credit/profit. Fan-wise, we'll support the published fiction up until we personally cannot.
Originally posted by ODG
A not so insubstantial part of the high that I felt after reading Hellblazer: Dead in America was due to how it perfectly capped off Neil Gaiman's Sandman saga. Just read the last page of Hellblazer: Dead in America #11. If you know, you know.I can't help but feel that the work put in by Simon Spurrier/Aaron Campbell (and other collaborators) is just that much more diminished given what is coming to light now. It is so unfair.
It's perversely ironic that this may very well serve to show that comics creators shouldn't be tightly bound to comic characters/stories. Give comics creators as much credit as they deserve for the comics they create, yes!!!!! But if you do... those comics can be ruined by the personal actions of said comics creators. So maybe keep a level of disconnect there.
For me, the question of separating the comics from the creators is a two-fold question. Business-wise, the companies must give the comic creators every bit of credit/profit. Fan-wise, we'll support the published fiction up until we personally cannot.
What villain did Constantine face?
Originally posted by ODGI guess I'm not in the know, but how do they link?
A not so insubstantial part of the high that I felt after reading Hellblazer: Dead in America was due to how it perfectly capped off Neil Gaiman's Sandman saga. Just read the last page of Hellblazer: Dead in America #11. If you know, you know.
On top of everything else, Gaiman is a shameless plagiarist, too:
https://www.facebook.com/matthew.boroson/posts/9916607465022768
Originally posted by StiltmanFTWYou can say that right into his face, he just visited KMC and made a thread.
On top of everything else, Gaiman is a shameless plagiarist, too:https://www.facebook.com/matthew.boroson/posts/9916607465022768
