Originally posted by WrathfulDwarf
I stop reading Eberts reviews after he trash Team America: World Police. He let's his own political views cloud his reviews. He lost his touch years ago.
That too.
However, I really lost respect for him when he gave Spider-Man 2 four stars 😐
Seriously that movie was so overrated
I Still Respect Him, He's A Great Critic, I Mean How Many Other People In The Buissness He's In Are As Well Known And Trusted As He Is? I'm Not Saying He Nescasarilly Should Be, But You Should Give Him Props For Getting That Far, I Mean He's Said Some Stupid Things But If QT Or RR Made A Bad Movie You Wouldn't Write Them Off As Hacks, Impossibilities Aside X) , I Disagree With Him ALOT Now Days But I Still Respect Him
It took me a while to find out what "SR" means.
It says here that Ebert & Roeper gave Superman Returns two thumbs up.
Originally posted by Wolfie
It took me a while to find out what "SR" means.It says here that Ebert & Roeper gave Superman Returns two thumbs up.
Weird...
I saw the television broadcast of their review, it was two thumbs down. 😉
Superman Returns
BY ROGER EBERT / June 27, 2006
It's no fun being Superman. Your life is a lie, there's nobody you can confide in, you're in love but can't express it, and you're on call 24 hours a day. But it can be fun being in a Superman movie. The original "Superman" (1978) was an exuberance of action and humor, because Christopher Reeve could play the character straight and let us know he was kidding.
"Superman II" (1980) was just about as good, but "Superman III" (1983) was a disappointment. "Superman IV: The Quest for Peace," with Reeve, bombed in 1987, and then the series was quiet for 19 years. Now the Man of Steel is back in Bryan Singer's "Superman Returns," which, like its hero, spends a lot of time dead in the water .
This is a glum , lackluster movie in which even the big effects sequences seem dutiful instead of exhilarating. The newsroom of the Daily Planet, filled with eccentricity and life in the earlier movies, now seems populated by corporate drones. Jimmy Olsen , the copy boy, such a brash kid, seems tamed and clueless . Lois Lane (Kate Bosworth) has lost her dash and pizzazz , and her fiance, Richard White (James Marsden), regards her like a deer caught in the headlights. Even the editor, Perry White (Frank Langella), comes across less like a curmudgeon, more like an efficient manager.
One problem is with the casting . Brandon Routh lacks charisma as Superman , and I suppose as Clark Kent, he isn't supposed to have any. Routh may have been cast because he looks a little like Reeve, but there are times when he looks more like an action figure ; were effects used to make him seem built from synthetics? We remember the chemistry between Christopher Reeve and Margot Kidder (Lois Lane) in the original "Superman" movie, and then observe how their counterparts are tongue-tied in this one. If they had a real romance (and they did), has it left them with nothing more than wistful looks and awkward small talk?
It's strange how little dialogue the title character has in the movie. Clark Kent is monosyllabic , and Superman is microsyllabic. We learn Superman was away for five years on a mission to the remains of his home planet, Krypton. In the meantime, Lois got herself a boyfriend and a little son, played by Tristan Lake Leabu, who mostly stares at people like a beta version of Damien, the kid from "The Omen." Now Superman and (coincidentally) Clark have returned, Clark gets his old job, and Lex Luthor (Kevin Spacey) is out of prison and plotting to rule the earth.
Lex's plan: use crystals from kryptonite to raise up a new continent in the mid-Atlantic and flood most of the surface of the populated world. Then he'll own all the real estate. Location, location, location. Alas, the craggy landscape he produces couldn't be loved by a mountain goat and won't be habitable for a million years, but never mind. Spacey plays Luthor as sour and sadistic ; he has no fun with the role, nor do we.
As for Superman, he's a one-trick pony . To paraphrase Archimedes: "Give me a lever and a place to stand, and I will move the universe." Superman doesn't need the lever or the place to stand, but as he positions himself in flight, straining to lift an airplane or a vast chunk or rock, we reflect that these activities aren't nearly as cinematic as what Batman and Spider-Man get up to. Watching Superman straining to hold a giant airliner, I'm wondering: Why does he strain? Does he have his limits? Would that new Airbus be too much for him? What about if he could stand somewhere?
Superman is vulnerable to one, and only one, substance: kryptonite. He knows this. We know this. Lex Luthor knows this. Yet he has been disabled by kryptonite in every one of the movies. Does he think Lex Luthor would pull another stunt without a supply on hand? Why doesn't he take the most elementary precautions? How can a middle-aged bald man stab the Man of Steel with kryptonite?
Now about Lois' kid. We know who his father is, and Lois knows, and I guess the kid knows, although he calls Richard his daddy. But why is nothing done with this character? He sends a piano flying across a room, but otherwise he just stares with big, solemn eyes, like one of those self-sufficient little brats you can't get to talk. It would have been fun to give Superman a bright, sassy child, like one of the Spy Kids, and make him a part of the plot.
There is I suppose a certain bottom line of competence in "Superman Returns," and superhero fans will want to see the movie just for its effects, its plot outrages and its moments of humor. But when the hero , his alter ego, his girlfriend and the villain all seem to lack any joy in being themselves, why should we feel joy at watching them?
WHAT.THE.****?!
I've highlighted this main points. For those too lazy to read it all. And WHAT the hell is up with him trying to point out classical flaws such as SUperman's vulnerability to Kryptonite. The common sense of the situation is ignored in every other superman film.WHY is Ebert so sore about this?! 😕
The people who are calling him an idiot just because they do not agree with one of his reviews are not thinking of what they're saying, which, in turn, makes them look like the idiot.
However, when you have a valid point (such as Ebert saying the Human Torch is too similar to the Flash. WTF? 🤨 ), you look... how do you say? Less stupid. 🙂
I so agree with you on your first point.
But I think people are taking his point completely out of context. My opinion is that in the movie Fantastic Four, the superhero's were labelled just for thier superpowers and not the actual character. I do agree with him, because during the movie, they werent interested in portraying the character but just portraying how fast he can go. If he was portrayed as a character on his own, I dont think Ebert would of had a problem. Ebert has reviewed many of superhero movies and he has given good grades to them, but in terms of some, he didnt like. Comparing them to the Flash I think was just an litery device to make the piece enjoyable to read.