Woohoo, official off-topic thread!

Started by ScreamPaste3,949 pages

That still only leads to "There's symbolism in /some/ things."

I can't imagine an author who put the effort into making sure /everything/ was symbolic wouldn't be utterly insane. Also, the story would suck.

Indeed. It would really be hard to do so.

Bet I could though.

That much symbolism would destroy the story, lol. Nothing would make sense. "Why the **** is he picking his ass with a fork?"

At end of book "OOOH!"

Nah man. It could be done. And if it gets me in the history book, hellz yeah.

You're not skilled enough Aura.

Nah, I am. It can be done so I can naturally do it. Remember, I'm the protagonist.

You're a punk ass ***** mother****er don't **** with me.

Originally posted by TheAuraAngel
And the rest are his targets. It's pretty funny.

The Iliad counts as a classic right? So I suppose it would be mine if Wizard of Oz doesn't count as one.

If he trolls them all, then I could bear finishing the book.

I thought we were going for American classics?

Originally posted by ScreamPaste
That much symbolism would destroy the story, lol. Nothing would make sense. "Why the **** is he picking his ass with a fork?"

At end of book "OOOH!"

Using 3 sea-shells to scrape one's ass is lulzier and more symbolic. sneer

In my story, the Cero Espada would be beaten onscreen.

Originally posted by Demonic Phoenix
If he trolls them all, then I could bear finishing the book.

I thought we were going for American classics?

Using 3 sea-shells to scrape one's ass is lulzier and more symbolic. sneer

He does. And then he decides "Fvck it, I'm bored." And then dies.

Heart of Darkness isn't American. 😮

aaaaaaahhghgh stop itTttttttttt

Heart of Darkness is a ****ing horrible book. 😐 I just had to read that POS for a class.

Of course the Iliad is a classic you penisbutts God.

Well, in my story a guy shoves a squid up his arse and runs around naked in the middle of the town square while screaming and drinking pig blood. How's that for ****ing symbolism?

Originally posted by Demonic Phoenix
I thought we were going for American classics?

Why the heck would we disservice ourselves by restricting it to American "Classics"?

Originally posted by ArtificialGlory
Well, in my story a guy shoves a squid up his arse and runs around naked in the middle of the town square while screaming and drinking pig blood. How's that for ****ing symbolism?

..the mistreatment of animals in the east-asian society through the eyes of a feminist?

Originally posted by BloodRain
..the mistreatment of animals in the east-asian society through the eyes of a feminist?

Brilliant.

Originally posted by BloodRain
..the mistreatment of animals in the east-asian society through the eyes of a feminist?

Not exactly what I was shooting for, but that's a damn good interpretation. Damn good.

Originally posted by BloodRain
..the mistreatment of animals in the east-asian society through the eyes of a feminist?

I have to say I think that the idea that symbolism found within literature isn’t really there is a falsehood. I agree that perhaps there are handfuls that were not originally thought out or even intended but were actually introduced through the authors own feelings/experiences. My particular favourite example of this is in Dracula;

At the time it was written was the same time Great Britain’s empire was starting to unravel. So not entirely unlike some American’s fear of China at the moment, there was a fear of other countries gaining power would replace Britain as the greatest world power. This is reflected in that Dracula, a Romanian travels to Britain and ‘invades’ it, in a sense.

While this may or may not have been intended it is still I find an interesting aspect of the story, and somewhat of a fascinating revelation of what was probably going on in Bram Stokers head.

Originally posted by Peach
And I hate the whole "there's symbolism in everything!" thing teachers try to push on you in school. Sometimes it's just there cos the author liked it, it doesn't have any hidden meaning!

I feel like responding to this.

While it is true that some symbolism perceived within a story was not intended by the author, this leads into a point that is often discussed and debated by those who study literature; that the emotions the work makes the reader feel and what they believe they represent overrides the author's intent.

For example, Isaac Asimov often told a story of a time he heard a lecture on a book of his, and he then told the professor that he enjoyed the lecture, though that was not what he had in mind when he wrote it. The professor responded with,""Just because you wrote it, what makes you think you have the slightest idea what it's about?""

For those who go to TV Tropes, this mindset is known as "Death of the Author". It proposes that the interpretation the author has on his own work is no more valid than that of the reader's, that the feelings and intentions of the writer have no relevance to the reader's own personal interpretation.

Personally, I believe that the "**** your symbolism" view stems from memories of annoying teachers who pushed symbolism that they disagreed with on them in school, my younger sister is currently feeling much of the same ire towards her teacher for doing this, which IMO is a sign of poor teaching. I believe that teachers should push their students towards coming up with their own personal interpretations of fiction, rather than push their own views on them.

tl;dr if you want beef then bring the ruckus, Wu Tang Clan ain't nuthin' to **** wit.