Originally posted by Stall_19
The way I understand it is that the architect designs the environment and teaches it to the dreamer. We saw Ariadne teaching the designs to each of the dreamers. So the architect only designed but the dreamer creates the levels based on the designs.I'm a little confused by your use of the word "mark". When Cobbs was teaching Ariadne the workings of the dream, she was the dreamer and he brought his subconscious into the dream. But with Fisher who I believe was the mark you were talking about, he was never the dreamer. So he never had any hand in creating the world, which is the point. Because if he did create the world then his subconscious who know the layout defeating the purpose of having an architect designing the dream.
To be clear, the dreamer on the first level was the chemist. I know that because they commented the rain was a result of him drinking too much before going into the dream. That's also why he didn't go under again because that level would fall apart if he did.
The dreamer on the second level was Arthur as he made the comment that Fisher's subconscious would be looking for him. That is why he didn't go under the second time, because alas the dream would fall apart.
The dreamer on the snow level was Eames. I know that because when they missed the first kick and needed a shortcut through the level Cobbs asked Ariadne if Eames added any features. Also that's why they needed Eames to distract the projections because they would naturally go after the dreamer. That's why he couldn't go into limbo because the dream would fall apart without him.
Don't ask me about Limbo because I don't know, but at no point was Fisher the dreamer, so he had no part in the creation of the dream. All he did was filled it with his subconscious.
No, Fischer was the dreamer for all three levels. Those were his projections, too. If what you say is true, then we would have projections from the other "riders", as well as Fischers.
Does that answer you question or am I missing something?
Also, we know that the "dream-scape" is largely the memory of the mark (dreamer) because Fischer was leaving his office, on his phone, and seemed to be right at home in his own memories, remember?