I don't dispute that the LOTR films are better acted (in my opinion), but Ares asserted that such a notion is objective and implied that it was inarguable, something of which I see no basis. His response was a sheepish appeal to common sense.
Interestingly, one of cinema's most regarded critics disagrees with the ridiculous notion that film criticism is objective or inarguable.
Roger Ebert
Q: Beyond the obvious, what function do you think a film critic should serve?A: The film critic, first of all, should give you some idea of what the movie is about, not just in terms of its subject but it terms of its style and how it might hope to make you feel, and the critic should give you this idea usefully enough that you can decide whether you might want to see the movie or not regardless of whether the critic likes it or not. I might pan a movie, but if I’ve described it accurately, you might decide that you’d like to go see it, and that would be perfectly valid. Apart from that, the critic must also maybe be a teacher, in the sense that he tells you something about film in general, the purpose of film, the methods of film, the techniques of film, the weaknesses and strengths of film, and the critic should also be an entertainer in that the review should be not necessarily fun to read, but interesting to read, well-written. It’s a personal essay. The critic’s job is to be subjective, not to be objective, because it’s an opinion, and the critic should give that opinion in such a way that you want to read it, you enjoy reading it.
Roger Ebert
Q: That inspired me really to take film seriously. I thank you for that. What advice would you have for aspiring film critics like myself?A: It sounds like you have all the advice you need. There’s a book called “The Immediate Experience” by Robert Warshaw, and he has a line in there that I typed up and put over my typewriter when I started out. It says, “A man goes to the movies, and the critic must be honest enough to admit that he is that man.” Well, of course, the critic can be a woman too, so he was a sexist pig, but apart from that, what he means is . . . you go to the movies, and your review must admit that it was you who was there and it’s you who’s writing the review and it’s you who has the feelings. You shouldn’t try and be a ventriloquist and say things that you think the readers want to hear, things that you think you should say, or stay away from things you think you shouldn’t say them. You have to actually deal with the immediate experience that you had. In other words, if everybody in the world thinks a movie is bad, but you liked it, then you have to concede that you liked it. You have to say, “I was there. Here is what I felt.” It has to be first person subjective. It’s not a science, it’s an art.
Or you can read this polemic against the notion of objective film criticism.