Borbarad
Advocatus Diaboli
Originally posted by Lavos
Nai, you're clearly confused on the matter. I'd suggest expanding your studies beyond the realms of wikipedia and urban dictionary and look deeply into what it means to be an omniscient narrator, and what function it serves in telling the story.
I would suggest that you do that, provided that you don't seem to be familiar with literature analysis. But well. I'll try another concept which is - maybe - easier for you to grasp: focalization (From which point of view a story is told?).
There are, essentially, three different types of focalization:
a) Zero-Focalization: Narrator > characters ['overview' - the narrator knows or tells more than any of the characters appearing in the story can know]
b) Internal Focalization: Narrator = characters ['bysight' - the narrator doesn't know / tell more than the character(s) know]
c) External Focalization: Narrator < Character ['outer view' - the narrator tells less than the characters appearing in the story know]
The only form of true omniscience would appear in example "a". A limited omniscience is coined by example "b". The narrator is aware of all thoughts and all knowledge of all characters in the story, but his knowledge doesn't exceed that.
Hence I asked you of an example, where the narrator in PoD makes a statement that is clearly spawning from anyhwhere else than from the knowledge / thoughts of the characters within the story. In the present example, the presented ideas ("best duelist alive", "greates swordsman ever"😉 could be a result of Bane's thoughts or even be a mixture of the knowledge of all characters present within the story. The point is, that you can't prove that those statements are universal or spawning from a source outside of that "limited" knowledge the narrator in a third-person limited narration has.
Well now you seem to be under the impression that just because the narration covers content that characters within the story are capable of possessing knowledge of, that it has to be indirectly coming from their perspectives, which is again, clearly wrong in principle (information can be within the thoughts and feelings of the characters but still be delivered to us through the words of an omniscient narrator - again, it's a matter of personal preference of the storyteller and a device use to tell the story; the immediate advantage of the omniscient narrator being that of authenticity).
OH MY GOD.
The point is that to have a really omniscient narrator (in contrast to a limited omniscient one) there must be information that can't come from the characters in a direct or indirect fashion. So either bring me an example of such knowledge presented by the narrator, or accept that he's bound to the knowledge / thoughts / perceptions of the characters and accept that you're wrong.
Ignoring that what you're describing here is the very basis for my declaration of the narration as "omniscient" as I'll get to in a bit, you are again seemingly under the [false] impression that the narrative can only be coming directly from the omniscient narrator when his omniscience is absolutely required, and unaware that it's subject to the personal style of the storyteller as to whether or not he will narrate information clearly accessible to the characters from within the story, from their perspective, or from an omniscient perspective.
You may want to do a check up on the different forms of narration. "Omniscience" in everyday literature analysis terms is already present, when the narrator can "look into the thoughts" of more than one character appearing in the story. However. You realize that there is a difference between "reading the thoughts" of two persons and being able to come up with universal binding statements (facts), correct?
To do the latter, there has to be an instance in a story, where the narrator does come up with something that none of the characters could be possible aware of (e.g. future events). Unless that happens, a charactization of the narrator as "true omniscient" has to be rejected. Fact.
They are used in such a manner, yes, however their use isn't limited to such a manner.
They are - at least when you want to have them produce universal binding statements. Otherwise it's still a third person limited narrator, which can't come up with statements exceeding the cognition of the characters within the story. End of debate.