Originally posted by Darth Thor
I have, but what you don't get about my point is the Edgar Wright thing shouldn't even come into it.They should just enjoy or criticise the movie for what it is. If they notice Edgar Wright's touch in it, that's certainly something to observe, but not something to get over obsessed about, or judge the movie solely on that. Because if they do it just becomes apparent they went into the movie thinking about the whole Edgar Wright thing.
Nah man think of it like this.
Let's both admit that Edgar Wright has a very distinct style. The look of his movies is unique, right? Like, you can tell by his editing style and his cinematography and jokes and smash cuts, the whole thing. Edgar Wright movies are Edgar Wright movies.
So comparatively let's use another artist who's style is VERY distinct. Like, someone who when you look at their work you say "oh that's clearly so and so's work." Let's say Picasso because it's the simplest comparison.
So Picasso does this really abstract style. Cubism or something.
So we've got another artist who comes along and does a cubist piece. If a critic came out and lambasted it and said "this is garbage. It's not Picasso. Imagine if Picasso did this?" That'd be utter bullshit and really unfair. Which I think is what you're saying.
But the reality of it is this.
Picasso opts to paint a grand picture, a real heart project. A labor of love. He outlines how he will create this masterpiece. He develops the lines, the shadowing, what it means, the lighting, the composition. He works on this piece for EIGHT YEARS. Its got his heart and soul on the canvas.
Then, through all kinds of creative dickery, the art museum that would house this work of art says "you need to draw this too in there. And these colors as well. And also need to take out this."
Unwilling to compromise his vision nor his artistic integrity, Picasso hangs up this canvas. The art museum however, hires another painter (an artist who can not paint in Picassos style) to simply paint over Picassos lines. They take his colors. They take his shading. they put a new coat of paint on it, sure, but they keep all the REALLY good brush strokes.
In the end, you get a painting that - while nice to look at, sure - is inarguably a pale imitation of what the art was going to be. You had an artist working to his fullest to create something special, but end with another attempting to imitate Picassos unique style.